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KASSANDRA OR THE WORLD AS THE END OF REPRESENTATION

 

PARADISE:EPILOGUE

 

WHERE IS OUR SEA?

 

ABSENT PRESENTEE

Palestinians, Tibetans, Kurdish… Writer-director Chan Kwun Fee contemplates her encounters with refugees in different countries. How identities are constructed and how identities become manipulating tools of state machine? How the lives of exile actually are and what does it mean to be exile? What is behind the evil name of ‘terrorism’?

關於邊緣、邊境及邊界;一齣舞蹈、歌唱、詩歌、戲劇與聲音拼貼而成的魔幻組曲

{女性 / 身體 / 慾望} 的多元對話跨界創作 文字 X 繪畫 X 影像 X 身體 X 劇場 A trans-genre creative project about {woman / body / desires} text X illustration X moving.images X body X theatre

人聲 X 舞蹈 X 劇場 ──凌晨神智澄明的一小時又二十分鐘 舞動靈魂暗面 *靈感來自莎拉肯恩劇作 《4.48精神異常》

重讀《尼金斯基筆記》,與多媒體裝置組合cakefortiger及音樂人湯瑪士共同於天台遊走。A site-specific dance theatre work on the rooftop.

你必須出發,背離原來熟悉的,並走向未知